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Essays, interviews, and editorial features from Out of Frame.

Ayman Baalbaki, Silos, 2022

Expressionism and Engagement. Tagreed Darghouth, Ayman Baalbaki, and the Legacy of Marwan Kassab Bachi

Tagreed Darghouth and Ayman Baalbaki extend Marwan Kassab Bachi's dialogue with German Expressionism into a far more politically urgent register — a fighter jet, a masked fighter, the ruins of Beirut's port.

Maitha Abdalla, Untitled

Exploring Performance as a Tool of Creation in the Work of Maitha Abdalla

Emirati artist Maitha Abdalla treats her studio as a theatre — writing scripts, performing them, and moving the results into painting, sculpture, and film.

Baya Mahieddine, Femme et poissons volants, 1978

Seeing Otherwise, The Eye as an Icon in the Art of Baya Mahieddine and Alymamah Rashed

This article examines the symbolic significance of the eye as a recurring motif in the practices of two women artists from the Middle East and North Africa (MENA): Baya Mahieddine (1931–1998, Algeria) and Alymamah Rashed (1994, Kuwait).

Hazem Harb in his studio

Lines of Extraction. In the Studio with Hazem Harb

Ahead of his Art Basel Qatar presentation, Palestinian artist Hazem Harb discusses his archaeology-driven collage practice, and the archives, architectural remnants, and material fragments at the centre of his new work.

Béchir Boussandel, blown glass bottles, detail

Tempted by Other Suns. Curator Juliette Hage on Béchir Boussandel's Shift to Sculpture

Béchir Boussandel's solo exhibition at Tabari Artspace marks an evolution in his practice towards hand-blown glass sculptures that recall abandoned territories, human movement, and liminal spaces.

Aya Haidar, Tetas and Jiddo, 2019

Mending the Divides

Writer Nadine Khalil on Aya Haidar's embroidered archive of motherhood, displacement, and the domestic labour of memory.