
Assembling, Creating, Dismantling: A Life
Knowing the end was near, I asked Levin Haegele to document the ruin before it turned to rubble.
I felt bitter as we sat in Hoxton Square.
His motorbike parked on the corner.
I dreamt of riding away with it, any‑where from, but, here.
I left a window open, exited backstage, got on a plane and waved goodbye.
He with the keys.

Some intruders are like friendly ghosts.

He ventured into the home of the avatars. Doctor O’s collection of Merch Couture, now vacuum packed to go to the Design Museum; the art historian’s books ready to go to the Library of Alexandria.








The over‑sized paintings, suspended from every corner–served as anchors, room dividers, annotations of memory–of life and love, both lived and lost.







The site where all my secrets were buried, left bare.

The mess resembled a theatre of self. For one person, me, myself and I.

I forgot that the light was turned off at the mains.
I gave no instruction.

In the scorching heat, his sweat was so ripe that he had to undress as he crept, and leapt searching, standing behind the aperture, lost amongst the trees; standing in weeds.

There he was: before an assembly of life: one created as a dream; ready to be dismantled again. Awaiting the will to be soldered, to be re‑constituted again.
Omar Kholeif